Pausanias, Description of Greece (English) (XML Header) [genre: prose] [word count] [lemma count] [Paus.]. | ||
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Polygnotus followed, I think, the poem called the Minyad
. For in this poem occur lines referring to Theseus and Peirithous:—
Then the boat on which embark the dead, that the old
The Minyad, an unknown work.For this reason then Polygnotus too painted Charon as a man well stricken in years.
Ferryman, Charon, used to steer, they found not within its moorings.
Those on board the boat are not altogether distinguished. Tellis appears as a youth in years, and Cleoboea as still a maiden, holding on her knees a chest such as they are wont to make for Demeter. All I heard about Tellis was that Archilochus the poet was his grandson, while as for Cleoboea, they say that she was the first to bring the orgies of Demeter to
On the bank of
Near to the man in Polygnotus' picture who maltreated his father and for this drinks his cup of woe in Hades, is a man who paid the penalty for sacrilege. The woman who is punishing him is skilled in poisonous and other drugs.
10.28.6So it appears that in those days men laid the greatest stress on piety to the gods, as the Athenians showed when they took the sanctuary of Olympian Zeus at
Higher up than the figures I have enumerated comes Eurynomus, said by the Delphian guides to be one of the demons in Hades, who eats off all the flesh of the corpses, leaving only their bones. But Homer's Odyssey
, the poem called the Minyad
, and the Returns
, although they tell of Hades, and its horrors, know of no demon called Eurynomus. However, I will describe what he is like and his attitude in the painting. He is of a color between blue and black, like that of meat flies; he is showing his teeth and is seated, and under him is spread a vulture's skin.
Next after Eurynomus are Auge of
ch. 29
10.29.1
Higher up than the figures I have already enumerated are Perimedes and Eurylochus, the companions of Odysseus, carrying victims for sacrifice; these are black -rams. After them is a man seated, said by the inscription to be Ocnus (Sloth). He is depicted as plaiting a cord, and by him stands a she-ass, eating up the cord as quickly as it is plaited. They say that this Ocnus was a diligent man with an extravagant wife. Everything he earned by working was quickly spent by his wife. So they will have it that Polygnotus has painted a parable about the wife of Ocnus. I know also that the Ionians, whenever they see a man labouring at nothing profitable, say that such an one is plaiting the cord of Ocnus. Ocnus too is the name given to a bird by the seers who observe birds that are ominous. This Ocnus is the largest and most beautiful of the herons, a rare bird if ever there was one. Tityos too is in the picture; he is no longer being punished, but has been reduced to nothing by continuous torture, an indistinct and mutilated phantom.
Going on to the next part of the picture, you see very near to the man who is twisting the rope a painting of Ariadne. Seated on a rock she is looking at her sister Phaedra, who is on a swing grasping in either hand the rope on each side. The attitude, though quite gracefully drawn, makes us infer the manner of Phaedra's death.
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